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Dreyerm A. – Clausen C., 2008, Entertainment, Arts, and Sports Law Journal, vol. 19, no. 1 (2008), p. 36

NBA v. Motorola: current implications for real-time blogging and the dissemination of game-related information.  

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Dreyfuss R., 2007, Chicago-Kent Law Review, vol. 82, no. 3 (2007), p. 1243

Creative lawmaking: a comment on Lionel Bently, copyright, translations, and relations between Britain and India in the nineteenth and early twentieth centuries.  

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Dreyfuss R.C., 2013, IIC – International Review of Intellectual Property and Competition Law, vol.44, 8/2013, p. 906

The Max Planck Principles as an Aspect of Global Administrative Law

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Drieir T. – Lewinski S. V., 1991, The journal of the copyright society of the U.S.A., p. 96

The Europena Community’s Activities in the field of copyright.  

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Drier T – Karnell G., 1991, The journal of the copyright society of the U.S.A., p. 289

Originality of the copyrighted work: A European perspective.  

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Dubinsky I., 2007, Whittier Law Review, vol. 29, no. 2 (Winter 2007), p. 405

The race to the box office leads to cinematic deju vu: modifying copyright law to minimize rent dissipation and copyright redundancy at the movies. 

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Duggan J. – T. – Pennella N., 1987, The journal of the copyright society of the U.S.A., vol. 34, p. 333

The case for copyrights in “colorized” versions of public domain feature films.  

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Durbin W., 2007, William and Mary Bill of Rights Journal, vol. 15, no. 4, (Feb. 2007), p. 1021

Recognizing the grey: toward a new view of the law governing digital music sampling informed by the first amendment.  

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Dusollier S., 2003, IIC – International Review of Industrial Property and Copyright Law, 2003, p. 62

Exceptions and technological measures in the European measures in the European Copyright Directive of 2001: An empty promise.  

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Dusollier S., 2005, European Intellectual Property Review, 27/2005, 6, p. 201

Technology as an imperative for regulating copyright: From the public exploitation to the private use of the work.