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Still life with “spark” and “sweat”: the copyrightability of contemporary art in the United States and the United Kingdom. 

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Ferguson J., 2007, Northern Illinois University Law Review, vol. 28, no. 1 (Fall 2007), p. 125

XM lawsuit: threats to the incentive model of copyright genesis and the obsolescence of the AHRA in a digital age of hybrid technology. 

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Their master’s voice? Recording artists, bright lines and bowie bonds: The debate over sound recordings as works made for hire. 

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Did Napster save copyright? A proposal to amend section 511 of the Copyright Act using A&M Records v. Napster to solve the Supreme Court’s eleventh amendment abrogation riddle.  

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Copyright, technology, and time: perspectives on “interactive” as a term of art in copyright law.  

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Melville Nimmer the Writer: A Review of the 1963 First Edition of Nimmer on Copyright on the Occasion of the Fiftieth Anniversary of its Publication

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Finell J. – G., 2008, Entertainment, Arts, and Sports Law Journal, vol. 19, no. 1 (2008), p. 32

Scandalous notes: a musicologist discusses new developments in music technology that challenge copyright attorneys and expert witnesses. 

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Reserving all rights beyond copyright: Nonstatutory restrictive notices.  

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The Battle Over Public E-Libraries – Taking Stock and Moving Ahead