Categories
Foreign Articles

Fitzgerald J., 2008, Journal of Intellectual Property Law and Practice, vol. 3, no. 4 (Apr. 2008), p. 236

“Innocent infringement” and the Community unregis¬tered design right: the position in the UK and Ireland.  

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Foreign Articles

Fitzgerald B. – Olwan R., 2010, European Intellectual Property Review, Issue 11/2010, p. 565

Copyright law in the United Arab Emirates in the digital age.  

Categories
Foreign Articles

Fitzgerald B., 2008, European Intellectual Property Review, 30/2008, 2, p. 43

Copyright 2010: The future of copyright. 

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Foreign Articles

Fischer M., 1987, The journal of the copyright society of the U.S.A., vol. 34, p. 249

Reserving all rights beyond copyright: Nonstatutory restrictive notices.  

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Foreign Articles

Finell J. – G., 2008, Entertainment, Arts, and Sports Law Journal, vol. 19, no. 1 (2008), p. 32

Scandalous notes: a musicologist discusses new developments in music technology that challenge copyright attorneys and expert witnesses. 

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Foreign Articles

Field C., 2000, The journal of the copyright society of the U.S.A., p. 145

Their master’s voice? Recording artists, bright lines and bowie bonds: The debate over sound recordings as works made for hire. 

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Foreign Articles

Field C., 2001, The journal of the copyright society of the U.S.A., p. 633

Did Napster save copyright? A proposal to amend section 511 of the Copyright Act using A&M Records v. Napster to solve the Supreme Court’s eleventh amendment abrogation riddle.  

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Foreign Articles

Field C., 2003, The journal of the copyright society of the U.S.A., p. 49

Copyright, technology, and time: perspectives on “interactive” as a term of art in copyright law.  

Categories
Foreign Articles

Ferguson J., 2007, Northern Illinois University Law Review, vol. 28, no. 1 (Fall 2007), p. 125

XM lawsuit: threats to the incentive model of copyright genesis and the obsolescence of the AHRA in a digital age of hybrid technology. 

Categories
Foreign Articles

Fenzel C., 2007, Arizona Journal of International and Comparative Law, vol. 24, no. 2 (2007), p. 541

Still life with “spark” and “sweat”: the copyrightability of contemporary art in the United States and the United Kingdom.