Copyright in Bespoke software: Commossioner’s rights in incorporated and connected works.
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Exceptions and technological measures in the European measures in the European Copyright Directive of 2001: An empty promise.
Technology as an imperative for regulating copyright: From the public exploitation to the private use of the work.
Recognizing the grey: toward a new view of the law governing digital music sampling informed by the first amendment.
The case for copyrights in “colorized” versions of public domain feature films.
The race to the box office leads to cinematic deju vu: modifying copyright law to minimize rent dissipation and copyright redundancy at the movies.
Originality of the copyrighted work: A European perspective.
The Europena Community’s Activities in the field of copyright.
Creative lawmaking: a comment on Lionel Bently, copyright, translations, and relations between Britain and India in the nineteenth and early twentieth centuries.
NBA v. Motorola: current implications for real-time blogging and the dissemination of game-related information.