Originality of the copyrighted work: A European perspective.
Category: Foreign Articles
The race to the box office leads to cinematic deju vu: modifying copyright law to minimize rent dissipation and copyright redundancy at the movies.
The case for copyrights in “colorized” versions of public domain feature films.
Recognizing the grey: toward a new view of the law governing digital music sampling informed by the first amendment.
Exceptions and technological measures in the European measures in the European Copyright Directive of 2001: An empty promise.
Technology as an imperative for regulating copyright: From the public exploitation to the private use of the work.
Copyright in Bespoke software: Commossioner’s rights in incorporated and connected works.
The Pirate Bay verdict – Predictable, and yet…
How to run online file-sharing technology without really infringing: why the Supreme’s Court MGM v. Grokster decision does not make file-sharing technology illegal per se.
Gorillas in our midst: Search King Kong in the music jungle.